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Participation: 50%-79%
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Unique Durations: 4-5
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Bach
Passacaglia. JS Bach. Piano Duet
Cepheus Elf
0:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 2 5 77%
Bass 17 9 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 2 5 77%
Bass 17 9 2 3 100%
Bass 17 1 3 7 100%
14 0 2 7 76%
 
Gedenke doch, mein Geist, zurücke (Aria) BWV 509
Bartók forever
0:51 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 8 3 4 100%
Bass 18 0 4 2 100%
Sopran Treble 16 0 5 4 71%
 
Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140
Barock
0:44 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 8 0 0 3 19%
4 0 0 1 38%
9 0 0 4 23%
8 0 0 3 27%
B.c. Bass 19 0 3 4 100%
Violino
I		 Treble 22 0 5 6 100%
Oboe
I		 Treble 14 0 2 6 96%
Viiolino Treble 22 0 5 6 92%
Oboe
II		 Treble 12 0 0 5 77%
Taille 11 0 0 5 77%
Viola 13 0 1 5 73%
Violino
II		 Treble 12 0 0 5 73%
Corno
 5 0 0 1 38%
 
Menuet g-Moll (BWV 842)
chitarup
0:48 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 4 100%
Bass 17 0 3 5 62%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 4 100%
Bass 17 0 3 5 62%
 
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 15 0 2 5 50%
 
Joplin's Praeludium in C-Major
Regfor9
0:52 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 27 29 5 3 100%
Bass 30 26 9 5 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 27 29 5 3 100%
Bass 30 26 9 5 77%
 
4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
Soprano/Alto Treble 13 0 4 6 100%
Tenor/Bass Bass 24 0 7 6 100%
Contrabass Bass 17 0 6 4 50%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach
SDG
0:41 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 13 0 1 5 50%
Tenor Treble 3 0 0 2 8%
 
309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.
SDG
0:54 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 18 0 5 5 100%
Contrabass Bass 13 0 2 5 50%
Bass Bass 3 0 0 2 6%
 
Bach - Jauchzet, frohlocket! {Professional production full score.} Unfinished.
Jamie Holdham
0:19 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani. Bass 2 0 0 4 77%
Fagotto, Organo
e
Continuo.		 Bass 15 0 4 3 76%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani. Bass 2 0 0 4 77%
Fagotto, Organo
e
Continuo.		 Bass 15 0 4 3 76%
Violino
I.		 Treble 20 0 5 3 69%
Violino
II.		 Treble 20 0 5 3 69%
Flauto
traverso
I.		 Treble 8 0 2 5 62%
Flauto
traverso
II.		 Treble 10 0 3 5 62%
Tromba
I.		 Treble 8 0 0 3 62%
Oboe
I.		 Treble 9 0 3 5 54%
Oboe
II.		 Treble 8 0 2 5 54%
Tromba
II.		 Treble 8 0 0 3 54%
Viola. 10 0 3 3 54%
Tromba
III.		 Treble 6 0 0 3 46%
 
7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6
SDG
0:45 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 20 0 6 5 100%
Contrabass Bass 14 0 4 4 50%